Fendi studio celebrates the brand’s award-winning costumes

If you are in Rome this spring, you may have to see a fashion exhibition, including the first floor of a fashion headquarters, showing its best cooperation in the history of the film, including some cooperation to win a coveted golden statue.

When Fendi celebrates its ninetieth year anniversary 2015 moving to a bold historic building in Rome, the fashion house decides it is the best time to open up to the public. Now kept in the towering Palazzo della <<Civilta Italiana court, called the square gymnasium, Fendi has been working on a series of space revolving exhibitions.

Fendi’s current exhibition, Fendi studio, salutes the seventh art, and its new site is perfectly matched. The palace has been pursuing a position in the cinema after the movie comes from the latest supermodel 22016 in the film from Rome, 1945 open cities. Fendi has designed more than 50 movies and TV costumes to show for many years, from Luchino Visconti’s 1974 movie topics, and recently Paul Sorrentino’s HBO series Young Pope.

Fendi has worked with legendary director for many years (including Federico Fellini and Sergio Leon (the ship), in the United States), Ettore Scola (Le BAL), Liliana Cavani (Berlin), Francis Ford Coppola (the godfather 3), and Antonioni (EROS).

Many co operations have won the Academy Awards: the chariot of fire Milena Canonero (Hugh Hudson), Marie Antoinette (Sophia Coppola), and the big Budapest Hotel (Weiss Anderson) and the innocence era Gabriella Pescucci (Martin Scosese).

The resulting exhibition combines green screens and interactive activities, making small galleries a hot spot for Romans and tourists. Fendi is the bank’s selfie generation show the history of the establishment of a staple device.

Visitors walk the steps of the palace, through the huge Carrara marble statues and into the hall. An old-fashioned ticket booth is welcome to the visitors. The paparazzi armed tourists with a Fuji camera and give them a souvenir to remember the experience.

The first is a room that specializes in the scene of the car in the movie. Visitors can sit in a smooth red retro Alfa Romeo cabriolet and their photos with the green Rome trip behind them.

On the fur, Madonna Evita and Barbara Carrera Fatima Blush, including Demi buff’s mink coat, never say never wear out. The red coat and hat hang in the lounge match and black decoration. Tilda Swinton wears the big Budapest Hotel is just one of them. She won the appearance of Milena Canonero fourth Oscar.

The next room pays tribute to the scene in New York. A huge mirror allows visitors to enter the environment of New York. The costumes include those Kate Blanchett coveted at the naive age of blue jasmine and Michelle Pfeiffer. Merrill Streep’s monarch dressed in Prada’s demons included chestnut striped smoking jackets and white fur covered with Fendi spy bags.

Without a tribute to Patricia Field and her work on sex and city, this would not be a New York room. On display is the famous bag for you, entrenched in feathers, and will be from a tramp in the clutch. And, of course, the notorious bakery is designed to mimic the bread that French women carry on their arms.

The selection of the Carrie Bradshaw package helps to make the most Fendi bread in demand in the late 90s. On display was the original purple sequill French long stick bread. When Carrie was killed, she became a wrong street in southern Houston. It was not included in the display of fake gold Baguette Samantha to buy Chinatown, which made her get out of Playboy Mansion and accused the rabbit of stealing her bag.

The grand fur shawl and the leopard print jacket are also displayed from Julie Taymor Titus, interlaced with the Greek stone columns between the back walls.

Next, a scene of an unlimited mirrored Corridor project from the Royal tenenbuams. The film’s success of the caramel mink fur coat in the waist of Gwyeth Patru became a brand best seller. “Fendi believes that the movie as a possibility to test its own in the field,” explains in a statement why it brought fashion fashion jacket runway to inspire a generation of Margot Tenenbaum’s Halloween costumes.

Then, a high-grade leisure function, design the top brands including Shharon Stone in wear parts Catwoman, golden boy and Instinct 2, Bellucci, how much do you love me? The astuccio fur of Marisa Berenson is wearing my love, and there are more girl dresses from the mold on the other day.

The last temporary theater installation also offers a lot of movie features to show free evening watch. The theater looks like a typical sound field, outside and inside, the red armchair has the experience of separating the intimate movie night from the personal golden light.

All the fur exhibitions may have some influence on the timeliness of the program, and the trend is becoming more and more prone to artificial fur. Though the main fashion brands such as GUCCI, Calvin, Ralph Lauren, Tommy Hill, Armani and Armani all banned fur, Fendi built the Empire’s fur and doubled its roots.

Fendi is fur, and Fendi is fur. Fendi has created and continue to create memorable fur for Italy, Europe and the Hollywood Studios: there is a concrete manifestation of the incredible history of a particular moment, creative and open to interpretation of others unscrupulous, “design house said in a statement. “The focus, as usual, is in creation.”